THE PEDIGREE OF PROFESSIONAL AUDIO.

At dbx Professional Products we are proud to introduce the all new 676 Tube Mic Pre Channel Strip. The 676 represents all of the best of dbx’s more than 40 years of dynamics processing.

The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a 3-band parametric EQ with sweepable mids.

The 676 provides audio professionals with the perfect channel strip for recording and live applications alike with its military-grade build, vintage-inspired controls and VU metering.

Specification Details
Mic Preamp Connector Female XLR Pin 2 Hot; Electronically balanced/unbalanced
Mic Preamp Input Impedance 1.9 kΩ
CMRR >85 dB from 20 Hz to 3 kHz, >70 dB from 3 kHz to 20 kHz
Instrument Input Connector Tip-Sleeve ¼” Jack
Input Type (instrument) Unbalanced
Instrument Input Impedance 500 kΩ
Max Input (instrument) +21 dBu unbalanced
Preamp Insert
Connector Tip-Ring-Sleeve ¼”, RF filtered
Type Unbalanced, Tip = send, Ring = return
Line Outputs (Preamp & Compressor/Limiter)
Connector Male XLR and Tip-Ring-Sleeve ¼” (Pin 2 and Tip hot)
Type Servo-balanced/unbalanced
Impedance Balanced 30 Ω, unbalanced 15 Ω
Maximum Output Level > +21 dBm (into a 600 ohm load)
Compressor Sidechain Insert
Connector Tip-Ring-Sleeve ¼”, RF filtered
Type Unbalanced, Ring = output, Tip = input
Impedance 1 kΩ (output), 50 kΩ (input)
Vacuum Tube
Type 12AU7A / ECC82
Grid Power Supply +250V DC
Heater Power Supply +12V DC
Frequency Response
Mic Input 20 Hz to 50 kHz, +0/-1dB, 40 dB gain
Instrument Input 30 Hz to 70 kHz, +0/-1dB, unity gain
THD + Noise
Mic In to Line Out 0.25% typical at 0 dBu out, 1 kHz, 40 dB gain
Instrument In to Line Out 0.2% typical at 0 dBu out, 1 kHz, unity gain
Equivalent Noise Level Typically > -123 dBu with a 150 Ω source load, 22 Hz to 22 kHz
Noise Floor Mic Insert to Comp Output: <-93 dBu, unity gain, EQ flat and no gain reduction
Preamp Function Switches/Controls
Instrument Input Selects between microphone XLR input and front panel ¼” instrument input
+48V Sends +48 VDC through 6.81 kΩ resistors to pins 2 and 3 of the microphone input
20dB Pad Attenuates the microphone input by 20 dB
Polarity Invert Reverses pins 2 and 3 of the microphone input XLR
80 Hz Low Cut Enables an 80 Hz, 12 dB/octave high pass filter in the microphone and instrument signal path
Gain Control Range -∞ to +55 dB for Microphone Input; -∞ to +40 dB for Instrument Input
Post Tube Attenuation -∞ to 0 dB
Peak Indicator Illuminates RED when the Preamp is within 3 dB of clipping
EQ
Low Frequency 100 Hz, Low-pass shelving filter
High Frequency 10 kHz, High-pass shelving filter
Mid Frequency Sweepable from 100 Hz to 8 kHz
Function Switches/Controls: Narrow Selects the “Q” of the MID Frequency EQ. “OUT” position Q = 0.9; “IN” position Q = 2.9
Gain (All Bands) Sweepable from –15 to +15 dB
Compressor Threshold Range -40 dBu to +20 dBu
Characteristic Selectable OverEasy™ or Hard Knee
Compressor Ratio Variable 1:1 to ∞:1; 60 dB maximum Compression
Attack/Release Modes Selectable Manual or Auto
Manual Attack Time Scalable program-dependent; Typically 400 dB/msec to 1 dB/msec
Manual Release Time Scalable program-dependent; Typically 4000 dB/sec to 10 dB/sec
Auto Attack Time Program-dependent, typically 15 ms for 10 dB, 5 ms for 20 dB, 3 ms for 30 dB
Auto Release Time Program-dependent, typically 120 dB/sec
Output Level Control Range -20 dB to +20 dB
Limiter
Type dbx PeakPlus™
Threshold Range -4 dBu to + 22 dBu (off)
Ratio ∞:1
Attack and Release Program-dependent
Power Supply Universal switch-mode
Operating Voltage 100 – 240 VAC, 50/60 Hz
Power Requirements 20 Watts
Fuse T2.5AL 250V
Turn-On Time Approximately 2 seconds
Dimensions 3.5”H X 19”W X 8”D (88.9mmH X 482.6mmW X 203.2mmD)
Weight 8.1 lbs (3.7 kg)
Shipping Weight 11.0 lbs (5.0 kg)
Brand

DBX